The Movie story is based on A Generation Gap. This Movie tries to break the gap, keeping the old and new generation intact with there emotions and with there roots. City life and rural life intact. This movie is not revolving around Jatt Story / Revenge. This movie kept the cast away. The movie sured Jatts are not the only cast who are farmers and these Jatts have one dialogue in common, if they don’t speak with each other, they don’t either fight with each other. In the movie they have sured old culture songs and also new today generation songs

As if running a mall is not enough, Gaurav Rane has also to bail out his widower dad, Janardhan, as well as Madhav Mathur, several times from police custody on multiple counts of eve-teasing. Romance enters his life in the attractive shape of U.S.-based Sheekha Kapoor, who also befriends both Janardhan and Madhav. Chaos results, hilarious at times, when Janardhan starts to change his appearance to

Kanji Lalji Mehta, though an atheist, owns a small shop selling religious goods, concocting cock-and-bull stories to extract higher fees from his customers for his wares. When, in openly defying God, an earthquake destroys his (and only his) only source of income, with the insurance company refusing to pay up on the basis of it being an ‘act of God’, Kanjibhai takes God to the court. With many similarly unfortunate people pinning their hopes to him, Kanji’s lack of courtroom experience may leave him unable to prove his point – that is, until approached by a man introducing himself as Krishna Vasudeva Yadav. Krishna helps Kanji win his case, his family and helps him find his faith in God, along the way showing how priests can turn religion into a business and that God can be found everywhere, particularly in a house of worship.

When a handsome young Indian couple (Saif Ali Khan and Kareena Kapoor) moves into the suburbs to claim their stake in the American dream, they are shocked to discover that they’ve become enmeshed in a secretive terrorist plot. But as tensions escalate, the bride begins to wonder if her husband has told her everything he knows.

The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars and saves the life of his British commanding officer, William Gordon. Gordon is indebted to Pandey and a strong friendship develops between them, transcending both rank and race.

Watching the Punjabi Industry grow, here comes Akshay Kumar entering the scene to en-cash the current trend, producing yet another comedy of errors featuring the singing star Gippy Grewal in the lead. Expectedly following the on-going craze, Akshay too teams up with the ‘master director of such films’ Smeep Kang, investing in his routine squad and set pattern followed since CHAKK DE PHATTEY released in 2008. However the good news is that though based on exactly the same blueprint of creating a comedy through mistaken or hidden identities, director Smeep Kang yet again comes up with a winner, which mostly provides the entertainment factor throughout its 2 hours of duration smartly and gives you not much to complain while walking out of the theater.Having nothing significantly new to offer in its script, the film purely focuses on giving only one thing to its audience right from the very first scene, which is Comedy. It basically scores because of its well- written, witty and hilarious dialogues rendered in a punching style by the entire cast. And since Punjabi comedy largely or rather solely depends upon its comic dialogues only written in a raunchy style, BHAJI IN PROBLEM delivers the goods and you mostly feel satisfied with the content served.Sundeep leads a double life when he marries two women and keeps them from one another. His carefully planned life unravels when an old friend who knows his secret arrives looking to fall in love.

A young boy’s father gets killed unexpectedly by a fierce crowd. After fifteen years, the boy comes back to seek his vengeance.

A comic caper about Happy Singh, a Punjabi villager who goes through a series of misadventures and eventually becomes the King of the Australian underworld.